
(Photo courtesy showpo.com)
By Mayur Somalinga – Staff Reporter
“To All The Boys: P.S. I Still Love You” is a 2020 Netflix teen romance film based on the novel P.S. I Still Love You by Jenny Han and a sequel to “To All the Boys I’ve Loved Before,” which is based on a Jenny Han book of the same title.
[WARNING: This review contains spoilers for “To All the Boys: P.S. I Still Love You” as well as “To All the Boys I’ve Loved Before.” Read ahead at your own risk.]
The movie starts, or more aptly, resumes, not long after the end of “To All the Boys I’ve Loved Before” which concluded with Lara Jean Covey (played by Lana Condor), better known as, Lara Jean, and Peter Kavinsky (played by Noah Centineo), beginning to date. Without delving too deep into the previous installment of the series, Lara Jean is the epitome of the modern-day hopeless romantic – from reading sappy romance novels to writing flowery love letters – she does it all. On the other hand, Peter is the stereotypical high school jock – tough, courageous, but still gentle when it comes to his girlfriend, Lara Jean. At first glance, Lara Jean and Peter could not be a more mismatched couple, however, their opposing qualities are what truly makes them such a good fit to the point where Lara Jean believes that Peter is her soulmate.
However, that is until Lara Jean receives a letter from John Ambrose McClaren (played by Jordan Fisher), or as he is more often referred to as, John Ambrose, the stylish, precocious, and devoted member of Model U.N., and childhood friend of Lara Jean. John Ambrose is introduced in the previous movie as one of Lara Jean’s previous crushes to whom Kitty Covey (played by Anna Cathcart), Lara Jean’s sister, sent Lara Jean’s secret love letters to, as well as the rest of her previous romantic interests (for more information on this plot point, watch “To All the Boys I’ve Loved Before”), in the prequel, including Peter, which ends with Lara Jean believing that was the last she was to hear of her infamous love letters, which given what happened, is not the case. Lara Jean being as quixotic as she is, after receiving the letter, can’t help but imagine, no matter how much she resists, what things would have been like if she was dating John Ambrose instead of Peter. These thoughts are further instigated when Lara Jean and John Ambrose end up volunteering together at Belleview, a retirement home, while Peter is volunteering at Oakwood Market. This, inevitably, leads to tension forming amongst Peter, Lara Jean, and John Ambrose for the rest of the film until Lara Jean finally realizes who she is meant to be with.
“To All the Boys: P.S. I Still Love You” is a noteworthy sequel to its forerunner because, as stated before, it links the two movies perfectly since it starts right after the end of the first movie, which gives it a sense of fluidity. Furthermore, this movie provides a sense of closure between two, feuding characters in the past installment, Lara Jean and Genevieve (played by Emilija Baranac), or as she usually goes by in the film, Gen, otherwise known as Peter’s ex-girlfriend. This was particularly satisfying to see because as detailed in the prequel, Lara Jean and Gen used to be the best of friends that tore away from each other after Gen realized that Lara Jean liked Peter as well. The fact that they were able to reunite was very heartwarming, and a testament to the existence of jeong (정), a Korean word meaning an inseparable connection between two people that can endure the harsh realities of life, between the two former friends, as explained by Lara Jean, herself. While Lara Jean is an enthusiast for love, she is not one to match-make, unlike Kitty, as she does in the case of her father, Dr. Covey (played by John Corbett) with their neighbor, Ms. Rothschild (played by Sarayu Blue). Although Lara Jean is indifferent in the beginning to set up a romantic relationship between her father and Ms. Rothschild because she doesn’t believe in forcing love, she eventually changes her mind after seeing that her father does fancy Ms. Rothschild.
This plot element was gratifying to see for viewers of the prequel for the sole reason that in the previous movie it was explained that Lara Jean’s mother died very early on in her life, so the prospect of Lara Jean’s father experiencing a romantic relationship after so many years was heartening to Lara Jean, as well as the viewers. A minor, yet tasteful, detail, also utilized in the previous film, was the use of the school ceiling banners to denote the passage of time, significant events, and also, in this film, Lara Jean’s mood.
While this film extends the plot of its predecessor in a very realistic manner, the biggest issue in the film is a matter of how anticlimactic the story truly is. The movie does a stellar job of presenting the conflict from Lara Jean’s perspective, however, once the story reaches its apex at the defining moment when Lara Jean ultimately has to choose between Peter and John Ambrose, it staggers downwards abruptly, as opposed to deescalating slowly. The sensation is hard to describe without giving too much away but it can be equivocated to the sensation of going outside with an umbrella open because it is raining only to have the rain stop two seconds later. If the movie were to build from the climax for even as little as 15 minutes, the ending would feel much more rewarding. However, it could be argued that this swift resolution of the plot plays into the novelty of the story, and the certainty of true love.
All in all, “To All the Boys: P.S. I Still Love You” will leave romance-film-aficionados divided as Lara Jean works to look beyond what she thought she knew about love and uncover who her soulmate truly is.
Rating: 4.5 out of 5 stars
(Some information courtesy of imbd.com)